I am never so happy as when on a beach. |

I build sandcastles;
dig tunnels to Australia;
dam the drainage of the outgoing tide;
build sea-walls against the incoming;

see sea birds strut and preen;
fly kites;
feel underfoot the hard corrugated sand made by wind and wavelet;

walk shakily down steep shingle banks and fight pebble slides to regain position.



The senses are heightened to pick out calls above the continuous sound of waves and the distances available to spread out and leave all others behind, only to find another child ready to join in hydrology and civil engineering of dam and sea wall.
The visual memories now are reinforced by the family movies, 25ASA Kodachrome in 50’s yellows to counter a 5600K colour temperature with Standard-8 on a Bell&Howell rig. Inevitably these seem two stops over-exposed with a searing flash of light as the trailer runs through, punctuated by the hole punches in the emulsion.



The sea turns black and it is time for home.

It is a place of interface, elemental, where earth,air,water and fire come in contact and we behold their incidence. Water and air combine as wave, the sun as fire warms water for the clouds.
The sea and the land play out another conflict warming the air above them differentially, the winds swing between off and onshore; the cloud fronts often mirror the coast below.
The sea and the land play out another conflict warming the air above them differentially, the winds swing between off and onshore; the cloud fronts often mirror the coast below.

We thus are offered a unique light mediated by clouds and scattered by waves; we find a record of the past 12 or so hours tide laid out at the margin, further from the water we see the impact of air and the carved nature of sand dunes.


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